The short version
| Style | Speed | Pitch | Signature sound |
|---|---|---|---|
| Nightcore | 1.2–1.35× | Up 3–5 semitones | Fast, bright, energetic, high vocals |
| Sped up | 1.1–1.3× | Up 2–4 semitones | Punchier, catchier, made for short clips |
| Daycore | 0.8–0.9× | Down 2–4 semitones | Slower and deeper, lightly processed |
| Slowed + reverb | 0.8–0.85× | Down 3–4 semitones | Dreamy, spacious, nostalgic |
| Vaporwave | 0.65–0.8× | Down 4–7 semitones | Hazy, retro, tape-worn |
| Chopped & screwed | 0.6–0.75× | Down 5–9 semitones | Syrupy hip-hop with repeated “chops” |
The pitch column assumes the classic approach where pitch follows speed, like a turntable. The formula is simple: the pitch change in semitones is 12 × log₂(speed). So 1.25× raises a song about 3.9 semitones and 0.8× lowers it about 3.9.
Music: “Heart of Acceptance” by John Bartmann (CC0 1.0). Every version was made with this tool and volume-matched to the original. Switching keeps your place in the song.
Nightcore
Nightcore is the oldest of these internet styles. It is usually traced to a Norwegian duo in the early 2000s who released sped-up trance and dance tracks under that name, and it grew on YouTube in the 2010s, where uploads were typically paired with anime-style artwork. The defining traits are a clear tempo jump of around 25% and the higher, brighter vocals that come with it.
Because everything gets brighter, nightcore edits can turn harsh. Trimming a little treble and keeping the limiter on helps. A short plate reverb adds polish without slowing the energy down. The nightcore maker starts at 1.25× with exactly that setup.
Sped up
“Sped up” is nightcore’s modern, less stylised cousin, popularised by TikTok, where a faster version of a chorus fits more hook into a short clip. Speeds are often a bit gentler, and some creators keep the original key by changing tempo only, which you can do with the “Set separately” pitch mode. The sped up song maker defaults to 1.2× with pitch following speed.
Daycore
Daycore was named as the opposite of nightcore: slow the song down instead of speeding it up. In practice it means 0.8–0.9× with the pitch dropping, often with only a light reverb, so the result stays close to the original mix, just heavier and calmer. Try the daycore maker.
Slowed + reverb
Slowed + reverb takes the daycore idea and makes space the main feature. Speeds of 0.80–0.85× lower the song into a more melancholy register, and a large, long reverb (a hall with a 3–4 second decay at 30–50% mix) makes it sound distant and dreamlike. It became one of the most recognisable sounds on YouTube and TikTok because it suits late-night listening and emotional songs so well. Our settings guide breaks the recipe down by genre and mood.
Vaporwave
Vaporwave is a full genre rather than just an edit style. It emerged online in the early 2010s, built from slowed, pitched-down and looped samples of 80s and 90s pop, smooth jazz and commercial music, with a deliberately nostalgic, slightly unsettling feel. To get the sound, go slower (around 0.7×), roll off the highs, and add tape wobble, vinyl crackle and warmth. The vaporwave generator combines all of them.
Chopped and screwed
Chopped and screwed came out of Houston in the early 1990s, pioneered by DJ Screw. “Screwed” refers to the heavy slowdown; “chopped” refers to the DJ cutting between two copies of the record to repeat words, stutter beats and create skips. It is a performance technique as much as an effect. The Screwed preset in the generator (0.7× with a heavy low end) gives you the slowed foundation; the chops are best done by hand in a DJ or audio editing app.
Which one should you make?
- Want energy and hype? Nightcore or sped up.
- Want a heavier, calmer take without much effect? Daycore.
- Want atmosphere and emotion? Slowed + reverb.
- Want a retro, hazy, internet-nostalgia feel? Vaporwave or lo-fi.
All of these are presets in the generator, so the quickest way to understand the differences is to load a song and click through them while it plays. Press “Original” at any point to hear how far you’ve moved from the source.